Skip to main content

Meeting Mrs G


This is the unedited piece I wrote for a women's supplement.

I’m sorry, I have to take Mr G’s call. I’ll talk to you later,” P cut short our chat.
One Sunday, P splashed some water on his face to wash away the signs of the afternoon siesta and took to the wheels. He was to drive Mr and Mrs G to Mumbai.
A few months later, he went to pick up Mr and Mrs G’s daughter from the airport.
The Gs were always a priority with my husband. And, when I met them a few months later, I realised why.
A weary-looking Mr G opened the door and on seeing us, his eyes sparkled behind his lenses and he burst into a wide smile.
His thin, bony hands pulled us into the living room where a disheveled Mrs G was sitting.
Arrre tu...” (Oh! It’s you!) she smiled at my husband.
Mr G exhaled a sigh of relief and nodding in P’s direction, said, “It’s a good sign that she recognises you.”
Aani..hi kon? (Who’s this?)”, she asked looking at me.
She’s my wife,” P answered.
Chhan (Nice)”, she remarked.
Meanwhile, Mr G had made lemonade, cut some fruits and offered to us.
After sipping some lemonade and coaxing Mr G to get her some chatpata stuff, Mrs G offered to show me around their flat.
Antique furniture dotted the three-bedroom flat, walls were covered with paintings and folk art.
Lovely,” I remarked.
Mrs G smiled and said, “This painting was done by my daughter Urr...Urmila. She stays at...”
Mrs G suddenly looked very helpless. As if trying to make sense of the sudden bolts of comprehension playing hide and seek in her mind.
Mr G, and P, who had followed us in the bedroom, mock-scolded his wife, “Aga ashi kashi visartes tu? He kay visraycha asta ka?” (Trust you to forget such details. Not done)
Urmi stays in Bangalore,” this was for me.
Mrs G then turned to go to the living room, while Mr G smiled genially in my direction. I couldn’t help noticing his over-bright eyes, brimming with unshed tears.
In the living room, Mrs G smiled at P and asked, “When did you come? And, who is this girl?”
Before he could reply, she exclaimed, “She’s wearing mangalsutra. Are you married?”
Her next sentence was an instruction to Mr G, “Get me haldi-kunku. She has come home for the first time.”
When he got her the haldi-kunku, she asked him, “Why have you got this?”
I answered her by touching her feet and asked for blessings.
I'm P’s wife. You didn’t come for the wedding, so we have come to meet you.”
Oh! Mr G, you forgot about the invite. Now let me welcome the new bride,” she smiled, smoothing down the pleats of her sari.
When we took their leave, Mr and Mrs G smiled and said, “PunhaYa (Come again).”
We try and meet them once a month and on every occasion, I am introduced and welcomed as a new bride.
You see, Mrs G suffers from Alzheimer’s Disease.

Comments

  1. This hits home! It has been an experience in love, pain, empathy and sheer hard work as we cared for my father in law who was in the throes of Alzheimers. Caregivers and patients alike go through so much.

    ReplyDelete

Post a Comment

Popular posts from this blog

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting.

Many ideas of ‘self’ (Review of Pratibimb, Marathi play)

With Mahesh Elkunchwar’s name as a writer associated with Pratibimb (Reflection), you know nothing in the play will be at face value. Nothing is what it seems. It is difficult for commoners to get into Elkunchwar’s mindspace, which is precisely the subject of the Marathi play, which was staged earlier in August and will now be performed again on Friday, September 15 at Sudarshan Rangmanch, Shaniwar Peth. While watching the play, it’s evident that the viewer has to peel various layers to get to the core of the story — Who are you? What does ‘self-identity’ mean? Is it so bad if your reflection goes missing or if you have no identity? Thokale (a white-collared office goer) wakes up one morning and finds his reflection missing. Enters Bai, his landlady, who tries to assure him that nothing is lost. In fact, it could be a ‘breaking news’ for the newspaper. This perhaps could have led to a lot of chaos physically. Instead, we are led to the darkness looming large in our dystopian minds