Skip to main content

A true Warkari




Who is a true Warkari?


The laymen gathered on the roadside to watch the palkhis-procession of Saint Dnyaneshwar and Saint Tukaram, often express awe at the clock-work precision of the wari. The stops are scheduled, the dindis or the groups preceding and following the palkhi are disciplined. Explaining the working of the dindi, Vivekananda or Rana Vaskar Maharaj, says, “The Vaskar dindi is the first, immediate dindi ahead of Dnyanoba raya's palkhi. Ahead of us are 27 authorised dindis, nagarkhana and the horse. Behind the palkhi there are several more dindis and followers, not necessarily warkaris.”
The current Maharaj's ancestor, Mallappan Vaskar, Haibat Baba Arphalkar and Shitole Sardar (sardar in Mahadji Shinde's armed force) resumed the practise of wari to Pandharpur. So the first honour in the long line of procession goes to Vaskar dindi. The head of Vaskar dindi is also the one who settles any difference or grievances amongst the warkaris.
“The format of dindi has remained same over the years. Wari means singing and chanting bhajans, abhangs and kirtan. We remember Lord Vithoba and the saints teachings. Over the years, social cause and projects have been taken up in association with private social organisations. We also follow social and public interest schemes announced by the State Government. This year we will be focusing on cleanliness,” explains Rana Vaskar Maharaj.
The warkaris cover about 20 kms each day, their stops scheduled and chalked to detail.
“We do not send out letters or messages, Whats App...nothing of that sort. The pilgrims arrive on their own on the specific tithi (according to Hindu Almanac),” informs Vaibhav Joshi, a member of the Vaskar dindi. He adds, “Every dindi has its own pennant. Ours is white flag amidst a bunch of orange flags. It's called kainchi. So incase our pilgrim loses his way, he knows how to locate the tents. Most of our followers are illiterate, but they all have been assigned tasks, which they do over the years – like making arrangement of water, food etc.”
When asked about the role of warkari, Rana Maharaj replies, “A true warkari will be walking in the dindi, amidst the pataka or paper flags. He will not accept water or food from the passers-by. He is dressed in a certain way – Nehru Shirt and Dhotar. A turban sits on his head. He wears a maal (beads) around his neck and abstains from drinking alcohol and eating non-veg food. He also takes a periodic pilgrimage during Ashadi, Karthiki, Chaitra and Magh. This is the external appearance of a warkari. As far as the internal appearance or the mind of a warkari is concerned, he goes by the teachings of Saint Dnyaneshwar and Saint Tukaram. Throughout the 21 day pilgrimage, he chants the name of the Lord, sings Hari Paath, abhangs and kirtans. You will not find any wrong-doing or inappropriate behaviour by the warkaris.”

Comments

Popular posts from this blog

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the

Many ideas of ‘self’ (Review of Pratibimb, Marathi play)

With Mahesh Elkunchwar’s name as a writer associated with Pratibimb (Reflection), you know nothing in the play will be at face value. Nothing is what it seems. It is difficult for commoners to get into Elkunchwar’s mindspace, which is precisely the subject of the Marathi play, which was staged earlier in August and will now be performed again on Friday, September 15 at Sudarshan Rangmanch, Shaniwar Peth. While watching the play, it’s evident that the viewer has to peel various layers to get to the core of the story — Who are you? What does ‘self-identity’ mean? Is it so bad if your reflection goes missing or if you have no identity? Thokale (a white-collared office goer) wakes up one morning and finds his reflection missing. Enters Bai, his landlady, who tries to assure him that nothing is lost. In fact, it could be a ‘breaking news’ for the newspaper. This perhaps could have led to a lot of chaos physically. Instead, we are led to the darkness looming large in our dystopian minds

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting.