Skip to main content

Love, the way they see it

Author Ira Trivedi talks about her new book Nikhil and Riya and how the characters find spiritual growth.

A boarding school. He with a limp. And, she a runner. They fall in love, until death pulls them apart. This is Ira Trivedi’s latest offering — Nikhil and Riya. Written from Nikhil’s perspective, it talks about love, longing and finally, redemption. In between, you also get a glimpse of life in a posh boarding school — Residency School —and the stories of bullying, one-upmanship and rivalry. Targeted at young adults, Nikhil and Riya is a Harlequin romance brought out by HarperCollins India. Here’s chatting up the author:

We believe the book was earlier written from Riya’s perspective. Can you tell us about it and the changes that were incorporated to make Nikhil take charge?
The book was ready to be sent to the editors six-seven years ago. But when I read I felt that this wasn’t good enough yet. So I waited for a bit. I was also in the midst of writing India in Love, so I put this one on hold. After India... came out, I went back to Nikhil and Riya.
When the story was being narrated from Riya’s point of view, the focus was not just on Nikhil. Like Nikhil was completely focused on his girl. She could do no wrong in Nikhil’s eyes. But for Riya, it was different things like running, and the process of accepting her death.

Love has been portrayed very differently by the protagonists. Are you trying to bring out how males and females perceive it?
There’s no one way to love. Nikhil loves Riya the way only he knows how to. And, the same can be said for Riya. People assume love is what is shown in Bollywood. But that’s not the case, everytime.

The book has many sublime emotions. Is that a result of you being a yoga practitioner?
Well, I was on my spiritual journey, while writing the book. I read Bhagwat Purana. I knew I had to grow as a writer, so I decided to wait and rewrite the book. It’s not a sad book, but it’s quite profound and touching in many ways.
The reason I chose to write on love is because I think that the first common spiritual experience one has is ‘falling in love’. It’s the spirit of the emotion and the spirits finding each other. That’s why it’s the journey of the soul, through love.

Your earlier two books also had Riya, as the protagonist.

This isn’t planned. It’s just that I end the last character with Riya and I begin the new character with Riya. I think to myself that I will change the name later on. But it doesn’t happen.
However for this book, Nikhil’s name was changed quite a few times. I don’t quite recall what the original name was. I also toyed with the name Prashant and a few others. But then Nikhil and Riya kind of fit. It became a nice title. Prashant and Riya, Sunil and Riya don’t have that ring to it.

But is there a little bit of your life in Riya — the way she has been portrayed?

I don’t think so. She is someone I aspire to be. I think Riya is a very exceptional character. Of course, I was a runner in my boarding school too. But that’s about it.

So is this a story that talks about your youth?
I think Nikhil and Riya’s generation is exactly like my generation. The world I experienced in my boarding school, is the world I put in the book. If I would have set the book in today’s time, then it would be more virtual. There’s so much of love, break-up and make-up happening on WhatsApp. That’s how love stories happen nowadays.
My next love story would be a virtual love story. But before that, I would love to write a sequel to this book. The narrator would be young Riya.

Comments

Popular posts from this blog

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting. ...

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the...

Caste Away (Interview with Rasika Agashe)

In my interaction with actor Rasika Agashe, I could find myself nodding every now and then, chuckling at the hypocrisy that we so deeply embrace. Agashe is coming to Pune, her hometown, with her Hindi play, Sat Bhashe Raidas to be staged at 16 th Rangmahotsav, the annual national theatre festival, hosted by Maharashtra Cultural Centre. The play is based on Sant Rohidas/Raidas who questioned caste discrimination. The script of the play was written by Rajesh Kumar, from Lucknow, who submitted it as an entry to Sanhita Manch, a script writing competition organised by Agashe and her husband Mohammed Zeeshan Ayyub's cultural venture, Being Association. The question of identity “ Sat Bhashe Raidas is about bout asprushyata (untouchability) and Brahmanvaad (not to be mistaken with anti-Brahminism). Rohidas was Kabir's contemporary and he questioned the hierarchy of caste in 15 th century. We have been having shows of the play in towns and cities like Jamkhed, Nanded, Aura...