Skip to main content

Rocking the Golden Oldies

The mostly teenaged members of Tale of Melodies tick all the right boxes – aptitude for learning something new, being open to ideas and suggestions and importantly a fine taste in music. No wonder then that the band members presented hauntingly beautiful numbers of legendary musicians like Salil Chaudhuri, Hemant Kumar and R D Burman, to Elvis Presley, Queen and The Beatles in their concerts held in Pune so far.

How it all began

Shubhankar Kulkarni, who is the lead vocalist of Tale of Melodies, has made a name for himself by singing popular Marathi songs like Aagobai Dhaggobai and Ekti Ekti Ghabarlis Na. In his last two years of school, he took up Western classical music class that piqued his interest in English songs.
“I was tuned into Indian classical music from childhood, because my parents, Salil Kulkarni and Anjali Marathe, are accomplished artists. In school, our Sir taught us some three songs in Western classical. I was fascinated by guitars, drums and then I started listening to Ed Sheeran, Taylor Swift, Coldplay and then Elvis Presley,” explains Shubhankar, who will be appearing for his HSC Board examination this year.

In 2020, he worked with Jay Suryavanshi, an upcoming pianist, on a Marathi song, Tuze Man. After receiving a good response for it, the two started jamming together. Jay, who has given Trinity College of Music Grade 8 piano exam, adds “My father and Saleel Kaka are friends. Once Kaka had come home with Shubhankar, where my father mentioned that I was taking piano lessons and then Kaka said that we could render his new composition Tuze Man on vocals and piano. Shubhankar sang and I played it on the piano. We were impressed by the response we got. And, then Shubhankar and I worked on another song, City of Stars from La La Land.”

In early 2021, the duo started working on a bank of songs; Kulkarni wanted them to work on a playlist, put together a decent number of songs before performing in a concert. Next, Shubhankar asked his batchmates from guitar class – Arushi Pandkar and Riya Umbrani to join them. Riya is the backing vocalist and Arushi is the bassist. “I have been learning music since I was a child. My father doesn't teach just one instrument, so I started with the synthesiser, then I went on to  drums, guitar. But none of them actually stuck. Three years ago I started playing bass guitar which I really liked. And here I am!” quips Arushi Pandkar, who studies Arts in Fergusson College, Pune. The lead guitarist, Saransh Shukla, from Bhopal and drummer, Aditya Ranga from Mumbai, joined the band through auditions. That was the start of Tale of Melodies, directed by Kulkarni.

The playlist

The USP of Tale of Melodies is the different eras of music that they recreate through their performances. “We want to present a variety to the audience from Marathi, Bollywood, old Hindi film songs and then artists like Elvis and Bryan Adams. The challenge before the performers is the switch from era to era which they do with agility. They are young, but they have had years of training before they made it to the stage,” observes Kulkarni.

The youngsters, on their part, are happy to have discovered Salil Chaudhuri and Hemant Kumar. For Shubhankar, the depth of the lyrics in Kumar and Chaudhuri’s work appealed to him, whereas Jay connected with Chaudhuri because of the influence of Western classical music in the orchestration of his pieces. Aditya, at the age of 20, finds resonance with Chaudhuri and Burman music. The group, at some point, hopes to have a full-fledged concert on Elvis. Why not? The King’s voice, his energy, stage presence continues to fascinate the performers and audiences alike.

At every concert the band is constantly trying to put out something new. “The music, the sound, the lights all have to work as one, to offer one of its kind experience to our audience,” points out Aditya.

(This article was written for Dimdima magazine)

Comments

Popular posts from this blog

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting.

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the

Many ideas of ‘self’ (Review of Pratibimb, Marathi play)

With Mahesh Elkunchwar’s name as a writer associated with Pratibimb (Reflection), you know nothing in the play will be at face value. Nothing is what it seems. It is difficult for commoners to get into Elkunchwar’s mindspace, which is precisely the subject of the Marathi play, which was staged earlier in August and will now be performed again on Friday, September 15 at Sudarshan Rangmanch, Shaniwar Peth. While watching the play, it’s evident that the viewer has to peel various layers to get to the core of the story — Who are you? What does ‘self-identity’ mean? Is it so bad if your reflection goes missing or if you have no identity? Thokale (a white-collared office goer) wakes up one morning and finds his reflection missing. Enters Bai, his landlady, who tries to assure him that nothing is lost. In fact, it could be a ‘breaking news’ for the newspaper. This perhaps could have led to a lot of chaos physically. Instead, we are led to the darkness looming large in our dystopian minds