Skip to main content

Sushama Datar on Saath-Saath

  1. How does Saath-Saath inculcate the structured and conscious approach towards marriage?
    Let me begin by saying that Saath-Saath doesn't promote love marriages amongst its members. Nor does it advocate kande-pohe type of arranged marriages. It takes the middle path where the boys and girls are provided with a platform to meet, interact, understand and weigh the pros and cons of being married.
    We organise picnics, get-togethers where the members meet in an informal atmosphere and play several games which reflect their thought-process and social inclination. We also hold lecture sessions like money/investment, career, health and success stories.
    We want the boys and girls at Saath-Saath to come to the big decision - “He is the one I want to get married to” - the volunteers are just the facilitators.
  2. What are the “trends” in the present-day marriages?
    If we look at the big picture, the trends or expectations have remained the same to a large extent. Girls want husbands with bigger pay packet, while boys are unwilling to look beyond “fair and lovely” stereotypes.
    I remember being approached by a 32-year-old good-looking, educated young man doing well professionally. He confessed that he had a block against plain-looking girls. I told him, “Looks aren't everything” to which he retorted, “But, what if I am repulsed by her body/physique? Physical relations are important too.” He had a point. So I had to try other ways like, “becoming friends, interacting with the girls and asking himself if he could see beyond their physical looks.”
    Then, there's the question of inter-caste weddings. There have been few instances at Saath-Saath where Brahmin-Maratha weddings have taken place; they are not readily accepted by the society
  3. Can you elaborate on the role-play of boys and girls vis-a-vis marriage?
    Girls are open and willing to explore maybe because that's the way they have been brought up for centuries. Men live in a cocoon, unless they have working mothers and therefore take on some household duties. Otherwise it has to be dinned into them that after marriage there will arise a situation when they have to accompany their wives to the market to buy vegetables or sometimes be expected to change the bedsheets.
    Therefore, we have role-playing sessions at Saath-Saath where the men and women are made to act out certain situations. It sounds like intellectualising marriage, but it does make some men and women think about life post-wedding.
  4. The economics of getting and leading a marriage is known better. What about the health issue?
    Health is an important issue because so many late marriages are taking place. The biological clock doesn't tick only for women, it ticks alarmingly for men too. Think of the stress and the effect it has on sperms! For the women it's the rising cases of Poly-cystic Ovarian Disorder.
    Also, there's a new phenomenon – DINS or Double Income No Sex. We have had a doctor talking on this topic. The couples are so tired and fatigued that there's no time for intimacy. Couples who work for long hours need to think about this.
    Another doctor has also urged prospective couples to undergo certain tests, including thalessemia and HIV+, before getting married. They are necessary for the health of the family – husband, wife and the unborn kid.
--
Saath-Saath was started by Vidya Bal, and her colleagues of Milun Sarya Jani magazine, in 1994. In 1999, the team decided to steer the organisation towards becoming Saath-Saath Vivah Abhyas Mandal from being just a marriage bureau.
Saath-Saath means co-existence in marriage and the tags of Vivah Abhyas Mandal (Marriage Study Circle) encourage boys and girls to learn how to handle marriage by adopting a structured and conscious approach.
The members meet every Sunday morning and Thursday evening at Marathwada Mitra Mandal College.

Comments

Popular posts from this blog

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the

Many ideas of ‘self’ (Review of Pratibimb, Marathi play)

With Mahesh Elkunchwar’s name as a writer associated with Pratibimb (Reflection), you know nothing in the play will be at face value. Nothing is what it seems. It is difficult for commoners to get into Elkunchwar’s mindspace, which is precisely the subject of the Marathi play, which was staged earlier in August and will now be performed again on Friday, September 15 at Sudarshan Rangmanch, Shaniwar Peth. While watching the play, it’s evident that the viewer has to peel various layers to get to the core of the story — Who are you? What does ‘self-identity’ mean? Is it so bad if your reflection goes missing or if you have no identity? Thokale (a white-collared office goer) wakes up one morning and finds his reflection missing. Enters Bai, his landlady, who tries to assure him that nothing is lost. In fact, it could be a ‘breaking news’ for the newspaper. This perhaps could have led to a lot of chaos physically. Instead, we are led to the darkness looming large in our dystopian minds

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting.