Skip to main content

Sisters! - Short story

Hdg: As different as cheese and chalk

God! what a clatter! Slow down, you tornado', said Shama. Only no one heard her speak. It wasn't because the clattering feet of Divya, who rushed up the stairs to their flat, drowned out her words. It was because Shama hadn't said the words aloud.
Shama, older to Divya by two years, had always been quiet and soft-spoken. Divya was boisterous and too loud for Shama. Soon Divya overshadowed Shama, deciding for two of them and readily agreed to by their parents.
Shama, however, didn't meekly acquiesced to Divya. Shama continued doing things she wanted to do, quietly. No one, not even Divya noticed, because Shama was largely ignored.
Left to herself, Shama was happy, if trifle sad. Realising that her opinion don't matter and hardly anyone took note of what she said, Shama kept up a constant dialogue with herself. And, when she thought her brain would burst with conversation spilling out, Shama took to writing.
She wrote whenever she felt like. Until, Sheela Miss came to teach creative writing to her class in the second term, it didn't occur to Shama that she should show her work to someone.
Young, friendly and gentle Sheela Miss discovered that there was a budding writer in her class and encouraged Shama to write her thoughts more effectively. Shama enjoyed the process, basking in her teacher's praise.
And, then came the biggest surprise of the year. The school's annual gathering was announced with just one change. This year students were to shoulder responsibility with teachers – in writing, getting costumes and prop ready, roping in actors/actress....the works!
Shama was thrilled when Sheela Miss chose her to write a play, alongwith a few seniors. She was so busy, brain-storming and writing and drafting the play, that she had no clue that Divya was chosen to play the role of princess, in her play.
It came as a shock to Shama when one evening, Divya announced to her parents and relatives, that she was going to play the princess in school play. She also proceeded to enact it, while Shama watched with her jaws dropping.
'Stop it! Princess Pia is sweet, gentle and courageous and what you are doing is a terrible imitation of a spoilt brat', Shama's voice rang out clearly and firmly.
Divya stopped, her hand clapping her mouth in shock, while her parents and relatives were stunned.
'Look...Divya. What you are doing is wrong! Be a little more....' Shama went back to speaking gently, but firmly.
Divya and others, who were in a daze, didn't stop to think about how Shama knew about Princess Pia. Next few days, Divya went over to Shama with her lines and learnt to deliver them with perfect expressions too.
On the day of the annual gathering, Divya shone as Princess Pia, while her parents beamed in the audience. At the end, they sought out Sheela Miss to thank her for giving Divya the main role.
Sheela Miss was happy to meet Divya's parents and said that the role of princess was conceived and developed by a student in her class.
She called out to Shama, much to her parents bewilderment. Shama too was puzzled on seeing her parents and Divya with her teacher. Sheela Miss then presented Shama to her parents and said, 'Shama shared the responsibility of writing the play along with two other students. The characterisation of Pia was solely her idea, Divya.'
Stunned into silence for a few minutes, Divya then rushed to Shama and enveloped her into a bear hug.
'Thanks Shama,' Divya whispered.
When Divya freed Shama from her embrace, the latter's eyes were shining with happiness. She had not only found her voice, but her darling sister too.

Comments

Popular posts from this blog

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the

Many ideas of ‘self’ (Review of Pratibimb, Marathi play)

With Mahesh Elkunchwar’s name as a writer associated with Pratibimb (Reflection), you know nothing in the play will be at face value. Nothing is what it seems. It is difficult for commoners to get into Elkunchwar’s mindspace, which is precisely the subject of the Marathi play, which was staged earlier in August and will now be performed again on Friday, September 15 at Sudarshan Rangmanch, Shaniwar Peth. While watching the play, it’s evident that the viewer has to peel various layers to get to the core of the story — Who are you? What does ‘self-identity’ mean? Is it so bad if your reflection goes missing or if you have no identity? Thokale (a white-collared office goer) wakes up one morning and finds his reflection missing. Enters Bai, his landlady, who tries to assure him that nothing is lost. In fact, it could be a ‘breaking news’ for the newspaper. This perhaps could have led to a lot of chaos physically. Instead, we are led to the darkness looming large in our dystopian minds

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting.