Skip to main content

Available & Accessible

November ushers in Children's Day with lots of activities lined up for the young ones. Amongst them is Junoon Arts & Education Foundation's School Programme, which will be bringing two plays for students of Delhi Public School, Mohammadwadi, Pune. Under Theatre Adventures module, children between the ages of 8-10 can watch Catch the Crocodile by Gillo Theatre Repertory and the 11-13 year olds can watch Jhalkari by Rahi Theatre.
The School Programme is one of the signature programmes of Junoon and Savitri Medhatul of the group explains the initiative. “Junoon has been co-founded by Sanjna Kapoor and Sameera Iyengar. Its primary motive is to make arts available and accessible to people. The most common refrain we hear is, 'Arts is not for us'. Or 'This is too complicated'. We think that arts has to become a part of everyone's day to day life. This is the umbrella motive of Junoon. And, we have multiple programmes keeping this in mind,” says Savitri.

Catch 'em young
Junoon's School Programme was started with the thought that if the seeds of arts is sown in the kids at an early age, then it will take root more firmly. “If you are introduced to art form early, before prejudices and biases set in, then you share a deep friendship with it.
We don't expect that everyone will do theatre when they grow up, but we would like if the children or the young people develop a taste for it, understand the aesthetics and nuances. You can become a scientist, or accountant, but if you have a bond with arts, then you grow better at what you do – this is what we at Junoon believe,” adds Savitri
When the programme was conceived, it was a week-long initiative called Arts Week Programme. But the schools found it difficult to put aside a week from their curriculum. We felt that this shouldn't prevent schools from inviting us. So we have staggered the modules. We had one show of a play, then in Arts Encounter, artists from across the country would establish a dialogue with the students etc. Now, we have something called Theatre Adventures – which is a play that we take to the school. The schools have now more options to choose from based on the budget, timing etc. We have made the programme far more flexible now,” she points out.

Making it more inclusive
From last year, Junoon has started Theatre Inclusive programme, in collaboration with Lal Jamal Foundation. Explaining this aspect, Savitri says, “We visit various cities in India alongwith the School Programme. Last year, we had an extra, free show for children of local NGOs, in six cities. About 3,500 kids watched these shows and we gathered their feedback. This year, we are visiting four cities. The show at Lucknow is over. Rahi Theatre's Jhalkari will be having another show on November 19 at Maharashtra Cultural Centre in Pune. We have two shows lined up at Patna and Bikaner.”
The team's broader vision is a three-fold programme – To groom fine artists; to build good infrastructure and to cultivate good audience. To that effect, Junoon has planned workshops with local theatre groups in those cities who want to develop theatre for children. “This is a part of capacity building programme,” says Savitri, adding, “A good audience will demand good theatre and this will put the onus on artists to create something new.”

Junoon is working with local partners in different cities. In Pune, their partner is Maharashtra Cultural Centre. In Ludhiana, they have partnered with Harkezi, who runs a Lok Kala Manch and has built theatre with his own money. “Local partners make their venues available to us and also help in tapping local NGOs. We want homegrown theatre to develop,” emphasizes Savitri, adding, “Sanjna keeps travelling across the country and her interactions with people told us that they are are keen to watch plays, but they don't have access or exposure to it.” 

Comments

Popular posts from this blog

Valu and more

Visited Poman Pimpale village where Marathi picture Valu was shot. --- Documentary la chala… came the shout and Poman Pimpale villagers slowly started gathering at the village square. The children were already there, jostling each other, eager to see the ‘documentary’ – Marathi film Valu, which was shot in this village, some 14 kms away from Saswad. On the occasion of the film completing 50 successful days, the cast and crew of Valu, decided to host a special screening for the villagers on Saturday as a tribute. As Umesh Kulkarni, the director of Valu says, “ The movie is a collaborative venture of the villagers and myself. Valu is theirs as much as it is mine.” You just need to mingle with the crowd to find out what Umesh says is true - it’s their movie that the villagers have gathered to see. Pradeep Poman, a village elder, says that they enjoyed the whole film making process. “It had become a past time for us. Whenever we had some time to spare, we just went to see the shooting. ...

Portrait of a poet

This has already been published in the Sunday supplement. Krishnaji Keshav Damle also known as Keshavsut --- Poetry never really appealed to me. And, so it was with great reluctance that I agreed to my husband's plan to visit Keshavsut Smarak – a memorial raised in memory of 'Father of Modern Marathi Poetry', Krishnaji Keshav Damle – in Malgund. We were in Ganapatipule at that time and decided to go to Malgund, a 10-minute drive (a kilometre) from the popular tourist destination. A sign-post told us to take a left turn and what greeted us, at the end of the lane, was tranquil silence. No security guards, no tourists, just a plaque announcing that Damle, popularly known as Keshavsut, was born in the red-roofed house, surrounded by green shrubbery. Keshavsut's house in Malgund  A poem by Keshavsut  The house, renovated in the old style, was near-empty, except for Keshavsut's portrait that was hanging from the wall in the front room. In the...

Caste Away (Interview with Rasika Agashe)

In my interaction with actor Rasika Agashe, I could find myself nodding every now and then, chuckling at the hypocrisy that we so deeply embrace. Agashe is coming to Pune, her hometown, with her Hindi play, Sat Bhashe Raidas to be staged at 16 th Rangmahotsav, the annual national theatre festival, hosted by Maharashtra Cultural Centre. The play is based on Sant Rohidas/Raidas who questioned caste discrimination. The script of the play was written by Rajesh Kumar, from Lucknow, who submitted it as an entry to Sanhita Manch, a script writing competition organised by Agashe and her husband Mohammed Zeeshan Ayyub's cultural venture, Being Association. The question of identity “ Sat Bhashe Raidas is about bout asprushyata (untouchability) and Brahmanvaad (not to be mistaken with anti-Brahminism). Rohidas was Kabir's contemporary and he questioned the hierarchy of caste in 15 th century. We have been having shows of the play in towns and cities like Jamkhed, Nanded, Aura...